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Esther Morgan

Esther Morgan's first collection, 'Beyond Calling Distance', is available from these pages at Amazon.co.uk or Amazon.com and directly from Bloodaxe. She edits Reactions, an anthology of new poetry, the 3rd edition of which is published this month by Pen&inc press, Norwich. See events and links pages for details. To read four poems from 'Reactions 3' click here

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The Cows · · · The Sleep-walker · · · The Reason

The Cows

They appeared in summer, huge shoulders
shambling through the gloom,
pushing through air like green water.

Their patience drew me, the way
they flicked their ears, submitted to
the bluebottles that glittered their eyes,

or their passive resistance to rain,
huddled in the lea of the hawthorn,
water coursing their mountainous flanks.

My mother thought them dangerous,
their hooves churning the field to mud.
She warned me to keep the barbed fence between

us, but I always slipped through
to stand like a priest or sacrifice
in the midst of their steaming henge.

They seemed to dream as they chewed the cud,
working their cool alchemy, earth
into cream, dung as rich as cake mixture.

I knew in Africa nomads tapped their throats for blood,
in India they wandered sacred, untouched,
measuring the dust between villages.

I made them offerings -
handfulls of grass proffered shyly,
honoured if they slubbered my palms clean.

The tags in their ears made them gipsyish
and I longed to follow them,
their slow hypnosis under the moon

stealing me through the meadow
and into the mist that made
ghost ships of the silver birches.

But they only shifted their weight in the mud,
garlanded by the evening sun,
oblivious under their haloes of flies.


The Sleep-walker

She returns
when the garden's a drift
of bluebells
her hands lose themselves
among cool stems,
her wicker basket brims
with petals curling
like woodsmoke,
sprigs of snow
from the broken apple tree
that will shed itself by morning.

 

She wanders further
into the dusk
drawn by the glimmer
of the chestnuts' candles
the hazy lace of cow parsley
to stand with eyes shut
under a dusting of early stars
feeling the evening warmth
steal through her:

 

a trace of intimacy
her skin remembers;
the brush of something soft
a flicker in the air
like dreaming lids . . .
she hears voices
calling through the mist
and turning back

 

turns into the girl
who came to herself
in deep grass,
her bare arms
freckled with pollen
the hem of her nightdress
soaked with dew,
its whiteness
pinned by moths.

The Reason

It's because you never left
these endless fields

where an oak tree sails the horizon
like a lost galleon

where rabbits crouch in mad-dog heat
under a sky full of eyes

where a gunshot scatters acres of birds
leaving wires like empty staves

where a road runs straight for hours
towards a shimmering spire

where a man can live all his life
beyond calling distance.


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